Richard Cohen wrote the following in the April 3 NYT. I’ve copied the full text here as I know lots of folks who won’t read ‘mainstream’ media of any sort and I think this everyone should read and ponder what it means to them. What home means to me follows.
LONDON — In a fascinating recent essay in The London Review of Books, called “On Not Going Home,” James Wood relates how he “asked Christopher Hitchens, long before he was terminally ill, where he would go if he had only a few weeks to live. Would he stay in America? ‘No, I’d go to Dartmoor, without a doubt,’ he told me. It was the landscape of his childhood.”
It was the landscape, in other words, of unfiltered experience, of things felt rather than thought through, of the world in its beauty absorbed before it is understood, of patterns and sounds that lodge themselves in some indelible place in the psyche and call out across the years.
That question is worth repeating: If I had only a few weeks to live, where would I go? It is a good way of getting rid of the clutter that distracts or blinds. I will get to that in a moment.
In the essay, Wood, who grew up in England but has lived in the United States for 18 years, explores a certain form of contemporary homelessness — lives lived without the finality of exile, but also without the familiarity of home.
He speaks of existences “marked by a certain provisionality, a structure of departure and return that may not end.”
This is a widespread modern condition; perhaps it is the modern condition. Out of it, often, comes anxiety. Wood does not focus on the psychological effects of what he calls “a certain outsider-dom,” but if you dig into people who are depressed you often find that their distress at some level is linked to a sense of not fitting in, an anxiety about belonging: displacement anguish.
Wood describes looking at the familiar life of his Boston street, “the heavy maple trees, the unkempt willow down at the end, an old white Cadillac with the bumper sticker ‘Ted Kennedy has killed more people than my gun,’ and I feel … nothing: some recognition, but no comprehension, no real connection, no past, despite all the years I have lived there — just a tugging distance from it all. A panic suddenly overtakes me, and I wonder: How did I get here?”
Having spent my infancy in South Africa, grown up and been educated in England, and then, after a peripatetic life as a foreign correspondent, found my home in New York, I understand that how-did-I-get-here panic. But Wood and I differ. He has no desire to become an American citizen.
He quotes an immigration officer telling him, “‘A Green Card is usually considered a path to citizenship,’ and continues: “He was generously saying, ‘Would you like to be an American citizen?’ along with the less generous: ‘Why don’t you want to be an American citizen?’ Can we imagine either sentiment being expressed at Heathrow airport?”
No, we can’t. And it’s that essential openness of America, as well as the (linked) greater ease of living as a Jew in the United States compared with life in the land of Lewis Namier’s “trembling Israelites,” that made me become an American citizen and elect New York as my home. It’s the place that takes me in.
But it is not the place of my deepest connections. So, what if I had a few weeks to live? I would go to Cape Town, to my grandfather’s house, Duxbury, looking out over the railway line near Kalk Bay station to the ocean and the Cape of Good Hope. During my childhood, there was the scent of salt and pine and, in certain winds, a pungent waft from the fish processing plant in Fish Hoek. I would dangle a little net in rock pools and find myself hypnotized by the silky water and quivering life in it. The heat, not the dry high-veld heat of Johannesburg but something denser, pounded by the time we came back from the beach at lunchtime. It reverberated off the stone, angled into every recess. The lunch table was set and soon enough fried fish, usually firm-fleshed kingklip, would be served, so fresh it seemed to burst from its batter. At night the lights of Simon’s Town glittered, a lovely necklace strung along a promontory.
This was a happiness whose other name was home.
Wood writes: “Freud has a wonderful word, ‘afterwardness,’ which I need to borrow, even at the cost of kidnapping it from its very different context. To think about home and the departure from home, about not going home and no longer feeling able to go home, is to be filled with a remarkable sense of ‘afterwardness’: It is too late to do anything about it now, and too late to know what should have been done. And that may be all right.”
Yes, being not quite home, acceptance, which may be bountiful, is what is left to us.
I’ve never known home. I’ve lived places, sure, but there has been no physical space I’ve felt deeply connected to–at least in a positive way. There are still places where the associations of the past make me vomitous, sweaty & shake in fear when I drive past the exits on I-495. And there are places where I’ve laid my head for a while and felt comfortable enough to put art on the walls but I’ve never really known home.
When I was in Georgia a couple of weeks ago, Duane Marcus of The Funny Farm, asked if part of my Traveling Light is the search for home. I think it is. For me, it will be a place I feel safe, comfortable, wanted and can express myself without condition. One that will feels as if I’m an active part of a larger community, not merely a citizen of a particular zip code.
Until then, I stand in the knowing that my place of deepest connection is within the heart and between each breath of others.
Where is yours?